| Central - LAL |
| dialogue | richt. |
| Central - SEC |
| DIALOGUE | OF THE PEACOCK AND THE SQUIRR |
| Central - SEC |
| Dialogue | taen frae the |
| Central - SEC |
tae get the languages intae a | dialogue | , that's whit I howp Migraasje |
| Central - LAL | ak behaviour, or the clichéd | dialogue | . Dinnae waste yer time wi #Do |
| Doric - DOR | @CaroleInnes0 Ignore them nae | dialogue | couple o letters later they g |
| Central - DUN |
he box an tryin tae encourage | dialogue | wi awbuddie fer the feck o fo |
| Central - SEC |
follaein the | dialogue | that wis delivert weel bi mai |
| Central - LAL |
ience haes tae unnerstaun the | dialogue | at first listen. Stage Lallan |
| Ulster - GUL | 0s oreeginally - maist o the | dialogue | is (Ulster) Scots. |
| Central - LAL |
Or redirect the | dialogue | |
| Central - LAL | y. The actin is shit, but the | dialogue | is worse. It's wan black ster |
| Central - SEC |
for ferrer-ben an mair tentie | dialogue | . Mr. Kay an a frein whiles dr |
| Central - WCE |
ancellation, an ilka piece of | dialogue | is jist a wee bit o fan-servi |
| Central - SEC |
contered the maistly English | dialogue | bein smattered wi eneuch Scot |
| Central - LAL |
an poietry relate ti | dialogue | , it’s naitural ti uise spel |
| Central - SEC |
Here, whaur Burns draps inti | dialogue | insteid o his uizual discursi |
| Central - LAL |
Unity plays, wi their naitrel | dialogue | provide guid evidence for the |
| Central - GLA |
it the brunt oan character an | dialogue | , an this is suhin ah've tried |
| Central - SEC |
, wi the words in balloons an | dialogue | kists eikin tae the narrative |
| Central - SEC |
in a richt believable text an | dialogue | . |
| Central - LAL |
es an that we can hae an open | dialogue | amang oorsels aboot it. The p |
| Central - LAL |
rception o register itsel. In | dialogue | an poietry relate ti dialogue |
| Central - SEC |
THE follaein | dialogue | is taen frae the Book o Scott |
| Central - LAL |
at the hail-heidit, wallopin | dialogue | that busks up this play is sh |
| Central - LAL |
Wallace descrives the ensuin | dialogue | . |
| Central - LAL |
t ye wad uise for the likes o | dialogue | , an aften for poietry. Exposi |
| Central - SEC |
kin o mistak in a character's | dialogue | then they micht want tae uise |
| Orkney - ORK |
tae script an Orcadian/Scots | dialogue | tae accompany this film, and |
| Orkney - ORK |
neers’ real, recorded Scots | dialogue | ? By comparison, some novelist |
| Central - SEC |
Some guid Scots | dialogue | in the new "Scottish Blend" t |
| Central - LAL |
poetry o Burns and the Scots | dialogue | o Scott, it’s ‘our’. In |
| Orkney - ORK |
ae English narrative wi Scots | dialogue | tae Scots narrative wi Scots |
| Orkney - ORK |
tae Scots narrative wi Scots | dialogue | owre a hunder year ago. |
| Ulster - GUL | A wadge o #UlsterScots | dialogue | fae John Gamble o Stabane's " |
| Central - SEC |
Mair Scots | dialogue | in "Offside", "Taggart" an th |
| Central - LAL |
Burning, dealin in braw Scots | dialogue | wi James VI an the witch tria |
| Central - LAL |
y it's a geynear pyntless bit | dialogue | , except Allwullie hes ti hae |
| Central - WCE |
ert bi settin up an impleicit | dialogue | atwein skreivar an reader (bu |