| Central - LAL |
uffe and Miseryguts. Goldoni, | Molière | ’s younger Italian contempor |
| Central - SEC |
te the kinna language yaised. | Molière | wrote the note "It is a serva |
| Central - LAL |
if Scotland had come oot wi a | Molière | , a Goldoni, Racine, a Shakesp |
| Central - SEC |
been owerset intae Scots frae | Molière | 's original 17th century Frenc |
| Central - LAL |
nburgh; French productions of | Molière | that released his ‘comic pl |
| Central - LAL |
ill, and Liz Lochhead forsook | Molière | for Euripides in her pithy an |
| Central - LAL |
ts. Kemp saw a sibness atween | Molière | ’s comedy and that o Scots, |
| Central - LAL |
d o Shakespeare an the leid o | Molière | , whit wey dae ye want tae spe |
| Central - LAL |
ce waants tae mak a bauchle o | Molière | ’s title characters, whase b |
| Central - SEC |
be waukened bi the reveille o | Molière | 's words that came on tae the |
| Central - LAL |
pleys whether the classics o | Molière | ir Rostand's Cyrano de Berger |
| Central - LAL |
rt Kemp's bonny owresettins o | Molière | , which is whaur his major Sco |
| Central - LAL |
eftir | Molière | , wi mibbe a wee Goldoni on th |
| Central - LAL |
€™s Lat Wives Tak Tent, eftir | Molière | ’s L’Ecole des Femmes. Kem |
| Central - LAL |
thesome cantrips o Goldoni or | Molière | , or the pensefu musardries o |
| Central - LAL |
Kemp an Hector MacMillan gies | Molière | a vyce frae the warld o 'The |
| Central - LAL |
gangin. Hector MacMillan’s | Molière | owersettins in the 80s haes m |
| Central - LAL |
€˜Stage Lallans’ o Kemp’s | Molière | owersettins, and it’s warth |
| Central - LAL |
™s warth speirin how Kemp’s | Molière | was that successfu that it re |
| Central - LAL |
rs. It’s wyce tae mind that | Molière | and Goldoni sail’t gey clos |
| Central - LAL |
urels, churnin oot period-set | Molière | eftir Molière, wi mibbe a we |
| Central - LAL |
Kemp was muivit tae pit | Molière | intae Scots by sindrie raison |